BOOKS
The Lumière Galaxy. Seven Key World for the Cinema to Come, New York: Columbia University Press, 2015.
TABLE OF CONTENTS
REVIEWS
- Daniel Fairfax, Senses of Cinema, No. 74, March 2015
- Ruggero Eugeni, New Review of Film and Television Studies, No. 13:4, 2015, 443-447
- Francesco Pitassio, NECSUS. European Journal on Media Studies, Autumn 2015_’Vintage’
TRANSLATIONS
Italian: La Galassia Lumière. Sette parole chiave per il cinema che viene, Milano: Bompiani, 2015.
Eye of the Century. Film, Experience, Modernity, New York: Columbia University Press, 2008.
TABLE OF CONTENTS
REVIEWS
- Santiago Hidalgo, CiNéMAS, Vol. 21, No. 1, 2010: 185-203
- Adriano D’Aloia, Film-Philosophy, No. 14 (2), 2010: 181-190
- Sabine Hake, H-Net Reviews, Aug. 2009
- Bruce Isaacs, Culture and the Media, Sept. 2009
- Wanda Waterman, The Voice Magazine, No. 48, 12 Dec. 2008
- In conversation with… Francesco Casetti, The Voice Magazine, Dec. 2008
- Pietro Montani, Cinema o il futuro della modernità. Alias, No. 15/10/2005: 23-24
TRANSLATIONS
Italian: L’occhio del Novecento. Cinema, esperienza, modernità, Milano: Bompiani, 2005.
Communicative Negotiation in Cinema and Television, Milano: Vita e Pensiero, 2002.
ABSTRACT
TRANSLATIONS
Chinese (partial): 交际谈判的电影及电视. World Cinema, No. 2, 2004: 21-41.
Analisi della televisione. Strumenti, metodi e pratiche di ricerca, Milano: Bompiani, 1998 (with Federico di Chio).
TRANSLATIONS
Spanish: Anàlisis de la televisiòn, Paidos, Barcelona 1999.
Theories of Cinema. 1945-1995, Austin: University of Texas Press, 1999.
TABLE OF CONTENTS
TRANSLATIONS
Italian: Teorie del cinema. 1945-1990, Milano: Bompiani, 1993.
Spanish: Teorìas del cine, Madrid: Catedra, 1994.
Hungarian: Filmelméleteek, Budapest: Osiris, 1998.
French: Les Théories du cinéma depuis 1945, Paris: Nathan, 1999.
Czech: Filmové teorie 1945–1990, Praha: AMU, 2009.
REVIEWS
- B. Testa, Film Theory and Enunciation. The Semiotics Review of Books, Vol. 12.3, Spring/Summer 2002: 7-18
- Chris Wagstaff in Screen, No. 42 (1), Spring 2001: 117-120
- Gregory L. Miller, Casetti on Film Theory, Film-Philosophy, 1 (5), January 2001
- Taková Kniha, Teoriev mnoÏném ãísle, Cinepur, No. 5, Jun. 2009: 39-40 (Czech)
Analisi del film, Milano: Bompiani, 1990 (with Federico di Chio).
TRANSLATIONS
Spanish: Cómo analizar un film, Barcelona: Paidòs, 1991.
Inside the Gaze. The Fiction Film and its Spectator, Bloomington-Indianapolis: Indiana University Press, 1999.
REVIEWS
- B. Testa, Film Theory and Enunciation. The Semiotics Review of Books, Vol. 12.3, Spring/Summer 2002: 7-18
- W. Buckland, The last word on filmic enunciation? Semiotica, No. 135, 2001: 211-226
- C. Paul Sellors, The Nature of Film Spectator. Film-Philosophy, No. 19 (4), August 2000
TRANSLATIONS
Italian: Dentro lo sguardo. Il film e il suo spettatore, Milano: Bompiani, 1986.
Spanish: El film y su espectador, Madrid: Catedra, 1989.
French: D’un regard l’autre, Lyon: Presses Universitaires de Lyon, 1990.
Semiotica. Saggio critico, testimonianze, documenti, Milano: Accademia, 1977.
TRANSLATIONS
Spanish: Introduciòn a la semiòtica, Barcelona: Fontanella, 1980.
Bernardo Bertolucci, Firenze: La Nuova Italia, 1975.
FRANCESCO CASETTI 