Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to provide us an enjoyment. It is still living, even though convergence gives media new identities and new functions. If we want to fully grasp such a persistence of cinema, we must not only engage ourselves in an exciting travel from the remote corners of film history and theory to the most surprising sites on the internet and in our cities; moreover, we need to switch our minds far from the usual approaches based on concepts like canon, repetition, apparatus, and spectatorship, in favor of new words and ideas, including expansion, relocation, assemblage, and performance. The result will be, hopefully, an innovative understanding of cinema’s place in our lives and culture, along with a critical sea-change in the way we study the art. What eventually we will able to capture is that the more the nature of cinema transforms, the more it discovers its own identity: the “relocated cinema” is the one that fulfills the galaxy of possibilities embedded in the medium since its inception.
Columbia University Press, New York, Forthcoming February 2015